Shack on a Hill, 10x10
The best painting spots are the ones when you can face in one direction and see one amazing scene to paint, then face in the other direction and paint a different amazing scene.
That's the case with this painting. I face north to paint "Near Steamboat," then turn south to paint "Shack on a Hill." It's an especially excellent spot, as it's a windy day, and I'm able to use the van to block the wind.
I continue to be amazed at the homesteads that I see out on the plains, miles and miles from neighbors, stores, commerce of any kind. Many of these do involve more than one building, though, and as I stayed on, it became clear that entire families live together on the reservation - grandparents, great-grandparents, and many adult children and their children.
This is a good thing and a not-so-good thing, according to a couple Navajo women I meet. It's great to have the love and support of a family, but not so good to have the constant presence of a watchful family. One young woman moved to a hogan at the very edge of the property, but tells me she still feels that her privacy is virtually nonexistent.
Another Navajo, however, pointed out that while I see homeless dogs on the reservation, I see no homeless people. And she's right.
My painting in the landscape
***
This scene, above, feels like the top of the world to me.
***
Dog of the Day
Yes, I know it's a cow. It makes me laugh, though. Cows are more or less allowed to roam free on the reservation. Across most access ways to the roads are cattle guards - roadway-wide segments of metal bars set into the road itself. Cars can go over them easily, but cows won't walk on them. But I see cows in a number of un-cowlike places, and this is one. These metal buildings are part of the government complex at Window Rock, and this cow is enjoying some government-grown grass, late one Sunday afternoon.
No comments:
Post a Comment